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The drama isn't as intense as in previous novels, which might explain the novel's absence of side stories to lighten the mood. Since the victim of the case is a criminal himself, the lack of sympathy allows for a lighter approach to the narrative that keeps the mood hovering between serious and humorous. The overall effect is that this installment comes off more like a straight Mystery novel, which can either be viewed as a welcome break in the series format or an unfortunate lapse in the author's recognized style.
Carella and Hawes take up the main brunt of the detective work, with Kling and Meyer doing their fair share, while Willis and Brown pull backup duty with minor roles such as stakeouts and wiretaps. Hawes actually spends a good portion of the novel flying solo, making up for earlier trangressions while gaining a reputation as a rather effective ladie's man by bedding a series of beautiful witnesses and strangers, offering a welcome change of pace from the serious love lives of Kling and Carella. McBain's stable of characters also grows beyond the precinct, as sympathetic informant Danny Gimp and the ex-husband of the previous novel's murder victim each lend a hand.
Reviewed by S. Michael Wilson
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